Synopsis
In 1963, Maurice Fleuret wrote of Thierry Vincens: “...Vincens' cinematographic projections are more than a sumptuous abstract cinema number, more than a visual illustration of an interior world whose music echoes to us, [...] a lyrical synthesis whose persuasive force is unique in the history of art nouveau. ” GIRAGLIA was produced in 1968, set to a composition by Pierre Henry.
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