Synopsis
The title appears in thick boldface print. A short sequence of documentary snapshots, filmed off found paintings. These images pick up on figures from everyday life and religious practice, and according to the signature, were painted on public walls by a certain “Papisto Boy”. Two men are seen standing in front of an old whitewashed industrial building, smoking and talking. They turn toward the camera with their arms around each other, to pose for a portrait – the camera remains distanced. A tilt guides our gaze up to the underside of the tin roof where metal has been eaten away by rust. Off-screen the sound of drums is heard.
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