Synopsis
"In memoriam. Man in pieces. You have the lovers, remade by funhouse mirrors; you have the symmetries, undone, bent and curved; and you have the model, the bag on her head filling with carbon dioxide. Who owns your life? Testimonial and demonstration, a most ominous trade show. An experiment in therapeutic cinema. A speculative sequel and conclusion to John Hofsess's Palace of Pleasure (1967)." — S.B.
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