Synopsis
"In a way, making street films is daydreaming with a camera. It's capturing a fantasy you're having when you're wide awake and life is going on around you. There is, of course, a similarity between daydreaming and making any kind of art because they both spring from that narrow groove between the subconscious and the conscious. That's when self-expression and technical problem-solving both flow together in an almost mystical way. For me this film represents that mental state. I shot it in late July 2001 but put it away for some forgotten reason. It's very much about everyday life–a nondescript New York neighborhood on a calm Sunday afternoon, garbage cans piled high, feet reading here and there . . . but it's also about the magic I can see in that world when I free my subconscious. I made this film so effortlessly (I just cut out one brief shot) because I was so fully in that mindset, which, I think, shows in the nature of the images."
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