Synopsis
Attempting to fissure prevailing relations between spectator and screen, between sight and touch, desiring subject and object of desire, Inflorescentia uses poetics, humor and erotics as means to voice "the body" and to take stock of cinema as one of the multiple transgressive sites for female pleasure. Its influences are productions by gay men, including Sergei Paradjanov, Derek Jarman and Jean Genet.
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