Martha Rosler
Known for: Directing
Born: July 28, 1943 in Brooklyn, New York, USA
Martha Rosler (born 1943) is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, site-specific and performance, as well as writing about art and culture. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport. Since the early 1970s, Martha Rosler has used photography, performance, writing, and video to deconstruct cultural reality. Describing her work, Rosler says, “The subject is the commonplace — I am trying to use video to question the mythical explanations of everyday life. We accept the clash of public and private as natural, yet their separation is historical. The antagonism of the two spheres, which have in fact developed in tandem, is an ideological fiction — a potent one. I want to explore the relationships between individual consciousness, family life, and culture under capitalism.” Avoiding a pedantic stance, Rosler characteristically lays out visual and verbal material in a manner that allows the contradictions to gradually emerge, so that the audience can discern these disjunctions for themselves. By making her ideas accessible, Rosler invites her audience to re-examine the dynamics and demands of ideology, urging critical consciousness of the individual compromises exacted by society, and opening the door to a radical re-thinking of how cultural “reality” is constructed for the economic and political benefit of a select group.
Known for
Showing 24 of 24 titles
A Budding Gourmet
Vital Statistics of a Citizen, Simply Obtained
Subject
A Simple Case for Torture, or How to Sleep at Night
Reader
Born to be Sold: Martha Rosler Reads the Strange Case of Baby $/M
Semiotics of the Kitchen
Chef
Martha Rosler Reads "Vogue"
Martha Rosler: An Interview
Self
Reading the Media
Backyard Economy 2 (Diane Germain Mowing)
Director
Backyard Economy 1
Director
Flower Fields
Director
If it's too bad to be true, it could be DISINFORMATION
Director
Chile on the Road to NAFTA, Accompanied by the National Police Band
Director
Losing: A Conversation with the Parents
Director
Secrets From the Street: No Disclosure
Director
Domination and the Everyday
Director
Pencicle of Praise
Director
Semiotics of the Kitchen: An Audition
Director
Museums will eat your lunch
Director
How Do We Know What Home Looks Like? The Unité d’Habitation of Le Corbusier at Firminy, France
Director
Prototype (God Bless America)
Director
Because This Is Britain
Director
The East Is Red, The West Is Bending
Director
Seattle: Hidden Histories
Director