Ernie Gehr
Known for: Directing
Born: December 31, 1940
"Born in 1941, he began making eight-millimeter films in the mid-’60s. The precipitating event, he told the writer Scott MacDonald in a 2002-3 interview, was a program of Stan Brakhage films that Mr. Gehr caught in New York on a rainy night. The works excited him partly because in their abstraction and attention to color, texture and rhythm they were closer to his experience of 20th-century painting than of movies, and he continued to seek out more of the same. He eventually ended up at the Millennium Film Workshop and borrowing a light meter from the filmmaker Ken Jacobs (with whom Mr. Gehr shares an interest in early cinema). As he walked around New York reading light, as it were, Mr. Gehr discovered “the character of light” and learned about “cinema’s dependency on light.” (from NYTimes profile by Manohla Dargis. Full piece here: http://www.nytimes.com/2011/11/13/movies/ernie-gehrs-films-traffic-in-images-and-light.html?_r=0)
Known for
Showing 24 of 95 titles
Huge Pupils
Himself
A Portrait of Ernie Gehr
Himself
Chambers of Time
(Voice)
Side/Walk/Shuttle
Director
Serene Velocity
Director
Wait
Director
Table
Director
Auto-Collider XVIII
Director
Auto-Collider XX
Director
History
Director
Still
Director
Morning
Director
Passage
Director
New York Central
Director
Signal - Germany on the Air
Director
Eureka
Director
Reverberation
Director
Floating Particles
Director
Undertow
Director
Brewster, MA
Director
Mirror of Dreams
Director
Back in the Park
Director
Untitled
Camera Operator
Transparency
Director