Hisayasu Satō
Known for: Directing
Born: August 14, 1959 in Shizuoka, Shizuoka Prefecture, Japan
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Known for
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I Stand Alone - SEX & LOVE
Cross the Lens
Self
Japanscope, panorama de la nouvelle Nouvelle Vague
In The Sea of Trees
Tokyo Elegy
Detective
Autumn
Groper Train: Final Stop
Man groping school girl
Crying Rope, Missing Black Hair
Hometown Porn Girl 18! Seeding Festival
Young Wife Assault Pervert
Female Prisoners: Brutal Treatment
Delivery Wife: Get Wet!
Wakazuma Misshitsu Bôkô Jiken
Chikan densha: Iyarashii kôi
Man drinking sake
Groper Train: Start at the Back
Cameraman
Zetsukin gyaru: Yaruki munmun
Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
Self
Walking in Circles: Shinjuku with Hisayasu Satô: Part 2
Self
Cruising Love Story
Man in gay couple
Lost in the Bedroom: An interview with Kyôko Nakamura
Self
I'm Being Watched: An Interview with Hisayasu Sato
Self
Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
Self
Revenge in S&M: An Interview with Hisayasu Sato
Self
Escape 3: An Interview with Hisayasu Sato
Self