Rubens de Falco
Known for: Acting
Born: October 18, 1931 in São Paulo, São Paulo, Brazil - Died: February 21, 2008
Rubens de Falco (October 19, 1931 — February 22, 2008) was a distinguished Brazilian actor celebrated for his commanding presence and memorable portrayals of antagonists. He began his artistic journey in theater, joining the São Paulo-based group Os Jograis in 1955 alongside Ruy Afonso, Ítalo Rossi, and Felipe Wagner. His film debut came earlier, in 1952, with a small role in Apassionata, produced by the legendary Vera Cruz studio. De Falco became a household name through his work in Brazilian telenovelas, particularly for his villainous roles. His most iconic performance was as Leôncio Almeida in Escrava Isaura (1976), a role that defined his career and became a cultural touchstone. He reprised a related role in the 2004 remake, appearing as Comendador Almeida, Leôncio’s father. His television credits include Gabriela (1975), O Grito (1975), Dona Xepa (1977), Sinhá Moça (1986), and Os Imigrantes (1981), among many others. Known for his blue eyes, distinctive triangular mustache, and smooth baritone voice, Rubens de Falco brought elegance and intensity to every role. In 2006, a stroke left him unable to speak or act, and he spent his final years in assisted care. Despite this, his legacy as one of Brazil’s greatest actors remains firmly intact.
Known for
Showing 24 of 60 titles
Celebração - 100 Anos do Cinema Nacional
Self
Pixote
Judge
O Impossível Acontece
The Monk and the Hangman's Daughter
Saltmaster
Encarnação
Macho y hembra
Vicente
Colonel Delmiro Gouveia
Delmiro Gouveia
Nós, Os Canalhas
Tatá
Engraçadinha Depois dos Trinta
O Sósia da Morte
Narciso
Essa Gatinha é Minha
A Difícil Vida Fácil
Os Foragidos da Violência
Dracula, a Love Story
Conde Drácula / Vladimir
Angels and Demons
Promotor
O Mau-Caráter
Moreira Silva
Café na Cama
O Homem da Cabeça de Ouro
Uma Pantera em Minha Cama
The Man Who Bought the World
Imperador Maximiliano
Helena Meirelles - A Dama da Viola
Esse Rio Muito Louco
Time of Violence
Stories Our Cinema Did (Not) Tell
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