Eugen Schüfftan
Known for: Camera
Born: July 20, 1893 in Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland] - Died: September 5, 1977
From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Known for
Showing 24 of 65 titles
People on Sunday
Director of Photography
The Hustler
Director of Photography
Queen of Atlantis
Director of Photography
The Scoundrel
Director of Photography
Manon Lescaut
Additional Photography
Eyes Without a Face
Director of Photography
The Strange Woman
Producer
It Happened Tomorrow
Technical Supervisor
Bluebeard
Director of Photography
Port of Shadows
Director of Photography
The Big Scare
Director of Photography
The Bloody Brood
Director of Photography
The Virgins
Director of Photography
A Couple
Director of Photography
Forfaiture
Director of Photography
High and Low
Director of Photography
Popular Tune
Director of Photography
The Stolen Face
Director of Photography
Into the Blue
Director
The Doctor Speaks Out
Director of Photography
I'd Rather Have Cod Liver Oil
Director of Photography
The Emigrant
Director of Photography
Women in the Night
Art Direction
Street of Shadows
Director of Photography