Jean Rouch
Known for: Directing
Born: May 30, 1917 in Paris, France - Died: February 17, 2004
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Known for
Showing 24 of 125 titles
Samba the Great
Narrator
The Doll
Officer (uncredited)
Son of Gascogne
Self
Ispahan: A Persian Letter (The Chah Mosque at Ispahan)
Lui-même
Encountering Jean Rouch
Cinéma! Cinéma! The French New Wave
Self
A Friendly Handshake
The Dreamed Films
Self
The Sons of the Water
World Without a Game
Himself
La Nouvelle Vague par elle-même
Self
Rouch's Gang
Self
Mon père c'est un lion - Jean Rouch pour mémoire
Self
Jean Epstein, Young Oceans of Cinema
Self (archive footage)
Rouch in Reverse
himself
Nouvelle Vague : El cine sin dogmas
Self
Maya Deren, Take Zero
Himself
Ciguri – Tarahumaras 98 - La Danse Du Peyotl
Narrator
The Mad Masters
Narrator
Ciné-mafia
Germaine chez elle
himself
Jean Rouch: First Film 1947-1991
Himself
Chronicle of a Summer
Self
Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
Himself