Norman Cohen
Known for: Directing
Born: June 10, 1936 in Dublin, Ireland - Died: October 25, 1983
Norman Cohen (11 June 1936 in Dublin – 26 October 1983 in Van Nuys, California) was an Irish film director and producer, best known for directing two feature films based on television comedy programmes, Till Death Us Do Part (1969) and Dad's Army (1971). He was also a director of several of the Confessions of... sex comedy series: Confessions of a Pop Performer (1975), Confessions of a Driving Instructor (1976) and Confessions from a Holiday Camp (1977). In addition to those films, he also produced as well as directed the adaptation of Spike Milligan's Adolf Hitler: My Part in His Downfall (1973),[1][2] and the comedy sequel Stand Up, Virgin Soldiers (1977). Cohen's first film production was The London Nobody Knows (1967) narrated by James Mason and his final film was Burning Rubber (1981). In the Fall of 1982 he directed his only stage production; Woody Allen's "Play It Again, Sam" at Theatr Clwyd (National Theatre of Wales). The cast included; Nic d'avirro, Julia St. John, Julie Richmond, Sara Mason, Carl Davis, Jennifer Franks, and starred Trent Richards (aka Richard Trent) as Allen. The production later toured to Cardiff, Wales where it ran at the Sherman Theatre. Norman died after suffering a heart attack in 1983.
Known for
Showing 22 of 22 titles
Dad's Army
Director
Adolf Hitler - My Part in His Downfall
Director
Confessions of a Driving Instructor
Director
Confessions of a Pop Performer
Director
Till Death Us Do Part
Director
Paganini Strikes Again
Supervising Editor
The London Nobody Knows
Director
Confessions from a Holiday Camp
Director
Stand up, Virgin Soldiers
Director
London in the Raw
Director
Burning Rubber
Director
The Funhouse
First Assistant Director
Hail
Executive Producer
The Way West
Producer's Assistant
Confessions of a Window Cleaner
Executive Producer
Delayed Flight
Editor
Brendan Behan's Dublin
Director
Four People: A Ballad Film
Editor
Thin Ice
Producer
The Lion's Share
Writer
Breath of Life
Producer
Look at Life: There Ought to Be a Law
Director