Dziga Vertov
Known for: Directing
Born: January 2, 1896 in Bialystok, Grodno Province, Russian Empire - Died: February 10, 1954
Dziga Vertov (born David Abelevich Kaufman) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. The independent, exploratory style of Vertov influenced and inspired many filmmakers and directors. The Dziga Vertov Group borrowed his name. In 1960, Jean Rouch used Vertov's filming theory when making Chronicle of a Summer. His partner Edgar Morin coined Cinéma vérité term when describing the style, using direct translation of Vertov’s KinoPravda. The Free Cinema movement in the United Kingdom during the 1950s, the Direct Cinema in North America in the late 1950s and early 1960s, and the Candid Eye series in Canada in the 1950s, all essentially owed a debt to Vertov. In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the 8th best film ever made.
Known for
Showing 24 of 72 titles
All Vertovs
(archive footage)
World Without a Game
Archive footage
The Return of Vertov
Self (archive footage)
Kino-Pravda No. 8
The Magic Beam
Self (archive footage)
Man with a Movie Camera
Director
Lenin's Kino Pravda: Truth in Cinema
Director
Three Songs About Lenin
Director
Kino-Pravda No. 1
Director
Kino-Pravda No. 2
Director
Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean
Director
Kino Eye
Director
The Eleventh Year
Writer
Lullaby
Screenstory
Three Heroines
Screenstory
Stride, Soviet!
Director
Soviet Toys
Director
Kino-week
Director
Kino-Pravda No. 20: Pioneer Pravda
Director
Kino-Pravda No. 5
Director
Kino-Pravda No. 3
Director
Kino-Pravda No. 4
Director
Kino-Pravda No. 17
Director
Kino-Pravda No. 18: A Movie-Camera Race Over 299 Metres and 14 Minutes and 50 Seconds in the Direction of Soviet Reality
Director