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Encyclopédie audiovisuelle du cinéma

Season 1 • Episode 4 • Le cinéma forain

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Encyclopédie audiovisuelle du cinéma Season 1, Episode 4: Le cinéma forain

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Episodes

13 episodes
1

Les inventeurs ou la rencontre des photographes et des fantômes

Claude-Jean Philippe sees the invention of cinema as the meeting of photographers and ghosts. This film chronologically follows the progress of two inventions: Joseph Plateau's discovery of the persistence of retinal images, the perfection of his phenakitiscope, and Nieppe's invention of photography. The Lumière brothers' cinematograph is the culmination of this double discovery.
2

Lumière et le cinématographe

3

Méliès ou le génie de la surprise

4

Le cinéma forain

5

Episode 5

6

Episode 6

7

Episode 7

8

Episode 8

9

Episode 9

10

Episode 10

11

Episode 11

12

Episode 12

13

Les Années 20: De l'impressionnisme au cinéma pur

Cinema owes a lot to this experimental laboratory that was the French avant-garde between 1919 and 1924. Based on this observation by Henri Langlois, Claude-Jean Philippe shows that these filmmakers (Louis Delluc, Marcel L'Herbier) accused their difference, like the impressionist group. On the other hand, at the end of the 1920s, everyone dreamed of a "pure cinema".